
In January, I participated in a virtual visit with a third-grade class.
It’s the first classroom visit I’ve conducted in a few years. I originally wrote the Sarah & Katy books for my nieces back in 2014, when Sarah was in third grade and Katy was in first grade. As they’ve advanced to new reading levels and genres, I’ve slowly drifted away from working on children’s books. But occasionally, I still have a teacher or librarian reach out about visiting with students, and it reminds me why I love writing for that age group.
During my recent school visit, I discussed the writing process. To give the students a chance to engage, I let them guess how long it took to write each Sarah & Katy book. Guesses ranged from weeks to years. One student raised a hand and speculated, “Ten years?”
Each Sarah & Katy book took about eight months, but the student’s guess about ten years lingered in my mind after I said my farewells to the class. Ten years is almost how long The Mountain of Dempsey Molehill has taken to write.
The first draft of Dempsey’s story came together between 2016 and 2018. Since then, I’ve lost count of how many times I’ve rewritten the book, shelved it, and then dusted it off for more rewrites. In mid 2024, I retrieved the manuscript after another hiatus. At that point, I told myself I would edit and finalize one chapter per week, with an April 2025 release in mind.
That schedule has already been revised and pushed back — probably late summer at the earliest — but the prolonged project got me thinking: how long does it take other writers to write a book?
I took heart when I stumbled across a September 2018 guest post on Jane Friedman’s website. Refuge author Merilyn Simonds recounted an experience that somewhat parallels my own. She wrote Refuge in four years, then her agent shopped it to editors. The book faced multiple rejections, and eventually Simonds filed it away. But with some discussion and a fresh perspective, she returned to the manuscript several years later to rework it. After another three years and her twenty-second draft, an editor bought the book.
When someone in the audience asks, how long did it take you to write this book, I say, “Fourteen years.” But of course that’s not true. I wasn’t writing during all those fourteen years: I worked on the manuscript in bursts, the pages languishing for months and sometimes years while I gathered my thoughts for the next revision. – Merilyn Simonds
Simonds also noted how long other authors have taken to write some of the world’s best-known works. Some writers are able to churn out manuscripts quickly — John Boyne cranked out The Boy in the Striped Pajamas in less than three days — while others set a slower pace — Margaret Mitchell spent ten years on Gone With the Wind. My husband, ever the trivia enthusiast, told me Kurt Vonnegut spent 23 years writing Slaughterhouse Five, sometimes throwing out entire drafts to restart the project. (There’s a great article in TIME about his multiple drafts.)
For independent authors especially, it’s a good lesson to take to heart: the time it takes to write a book is the time it takes, and there’s no need to rush publication. In traditional publishing, there are teams of agents and editors to flag that a manuscript that isn’t quite ready. For indie authors, it can come down to our own discretion when we flip the switch on publication. I almost published Dempsey’s story too early.
In August 2018, after a couple of minor rewrites and edits, I had a draft of Dempsey that I decided to publish. I was eager to share the story and started the process of registering my new publishing imprint, buying ISBNs through Bowker, setting up metadata in Bowker and IngramSpark …
But something about the story still felt off. I couldn’t bring myself to release it into the world quite yet, and I’m glad I didn’t. Each revision since then has strengthened and honed the story. The latest iteration is stronger in its voice, trims away excess that slowed the plot, and tightens a few loose ends.
This marks Year 9 of working on Dempsey’s story. The book will be a long time in coming, but I’m in good company among fellow writers who have taken time to let a story evolve into its best final form.







